From the 5th to the 13th October, I’ve been busy exhibiting and curating an exhibition in St Cyriac’s Church, Lacock, as part of the Peacock Arts Trail 2019. We’ve had a wonderful 10 days, with over 1,000 visitors to the building, and plenty of inspiring chats over a cuppa and cake. Joining me in exhibiting were local painter Victoria Cleverly, and the pupils of Lacock Primary School.
At our preview event, I unveiled my community project Wall of Remembrance. This is an 8-panel, 35-aperture photographic installation, displayed in the south transept at St Cyriac’s. Featuring lenticular photography (where the images appear to change as you walk past them), Wall of Remembrance commemorates the service and commitment shown by local servicemen and women during the First World War, as well as the love of the families who supported them. The piece is the culmination of a community project in Lacock that began in 2018, having been commissioned by the Green Café at St Cyriac’s Church, and supported by Wiltshire Scrapstore, initially as part of Lacock Remembers 2018. Local families were invited to contribute to the project by sharing their photographs, medals, clippings and other objects connected to war time.
These objects appear in the lenticular panels and include portraits of Major Charles Selwyn Awdry and Major Allen Llewellen Palmer, as well as of Matilda Talbot serving at the Red Cross Hospital in Corsham, and Ivy Gladstone at the Chippenham and Bowood Red Cross Hospitals. Other images include a Soldier’s Penny given to Ernest Leonard Stevens, an engraved communion cup presented to St Cyriac’s in memory of Basil William Ramsbottom, and a shell casing. The poppies in the images were made out of clay by the 1st Lacock Scout Group in 2018.
My work also included the display of Scriptorium (first displayed in 2018). The complete text of the King James Bible text, with the exception of the Psalms, is transcribed onto Fabriano drawing paper with light, with one book per page. Cyanotypes are photographic prints produced without a camera, in this case with the superimposition of an acetate layer and a single peacock feather, over the sensitised paper. The vivid blue pigment forms as a result of iron compounds reacting to light – the process was originally adopted in the copying of architectural designs known as blueprints. I’m playing with ideas here of old and new copying of sacred texts – the scriptorium was where medieval manuscripts were copied onto parchment, and ‘script’ is also a programme in computer code for running or executing the display of public domain text.
Victoria’s thoughtful paintings with geometry, layers, and textures of natural form and detail (seen together with the artist above) were found in all corners of the church. It was wonderful to create spaces of accented contemplation, where a kind of slow looking worked between painting and architectural setting, and also brought organic shapes and subjects into view. The Lady Chapel at St Cyriac’s worked particularly well for this relationship with its wall and ceiling paintings featuring natural world designs in abundance. Other parts of the church such as the pulpit and the font received specific artistic interventions from the school pupils, who I’d invited to respond with ideas around the theme of unity. With Victoria’s help in class, the results are joyous and colourful, expressing hope and beauty through a world recycled and held together (with plastic and palm-prints), and a rainbow-like church seen in the pulpit above. Other paintings were displayed hanging between the pillars and also share exuberant multimedia designs from children aged between 6 and 9.
It’s been a privilege to share this space and its time with so many interested and enthusiastic people. To the parents and church members who helped with stewarding and cake – you’ve been amazing, and we couldn’t have done it without your help! It’s made the event feel special and connected to the community in new and exciting ways, so thank you. To the church PCC and the team at the Peacock Arts Trail, thank you too. I’ve really appreciated your professional support, with dedicated helpers and layers of expertise all working to make something magical happen – not just here but across the other trail venues. What a rich creative field in this corner of Wiltshire! Here’s to the next one in two years’ time…
Header image (clockwise from top): Remembrance Rood Screen (2019) and Scriptorium (2018) by Sheona Beaumont, drawings by pupils of Lacock Primary School, paintings by Victoria Cleverly. Photograph by Sheona Beaumont.
