Why I get hooked on Roland Barthes

By way of markers to locate some of my emerging research around the image and text relations of particular biblical photographs, here I note the terms from Barthes which I cannot avoid. Benjamin, Barthes and Baudrillard – the three B’s who hang around photography’s dark room like prophets in the wilderness. They script stories of […]

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Mary Colwell’s inspiration

Being in the natural world is hugely important to me, it’s vital – because I don’t get that sense of wonder and awe anywhere else, I really don’t get it inside a building or even inside a church. I get it outside. I think when you go around the world filming, you come across endless

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Light From the Middle East

At the V&A, Light From the Middle East: New Photography is an Art Fund sponsored exhibition bringing together over 90 works from 30 artists, broadly representative of contemporary practice in the greater Middle Eastern area (including North Africa). Photographs range from black and white documentary coverage of conflict (including work from the Iran Diary series

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Ansel Adams at the Maritime Museum

In a display of over 100 original prints, the National Maritime Museum presents Ansel Adams: Photography from the Mountains to the Sea. From muffled, vaporous clouds to sharp plumes of waterfall or geyser, water is the theme for an exhibition that celebrates the formal lyricism of Adams’ inspiring photographs. There are striking images of the

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Tidal timing and razor reflections

 The Severn Estuary has the second highest tidal range in the world. Last Wednesday and Thursday were the perigean tides for the autumn – meaning that point in the year (another in the spring) when the greatest difference can be observed due to the moon’s closeness to the earth. In this case, nearly 14 metres

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The Annunciation’s inspiration

My Christmas card for 2012 features words from a poem by Rainer Maria Rilke and some details of Fra Angelico’s famous fresco – a confluence of ideas from the same titles, but disparate elements coming to the fore. Rilke’s poem, Annunciation, of 1899, is a beautiful, bewitching expression of the angel’s point of view. It

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