Bishop Otter Scholar 2017-2020. Curatorial and research role for the Diocese of Chichester, with King’s College London.
This month my position as Bishop Otter Scholar comes to an end, after 3 years in the role. My time has been full of new adventures in word and image, and I have met and engaged a variety of wonderful people from within the Diocese of Chichester and beyond. I’ve just re-read my blog post […]
Bishop Otter Scholar: closing thoughts Read More »
Last month I considered some problems around theology on screen. I was drawn in to media discussions about the effects of worshipping differently, in lockdown – and on the communication of theological ideas when such worshipping happens primarily online, via Zoom or Facebook. For a time, I was wholly absorbed with the intellectual grappling of
Art’s generous interface on screen Read More »
So the unsettled feelings are percolating. Many and continued are the triumphalist pronouncements of church leaders that communities of faith thrive online, that connections are made and obstacles overcome (like prohibition of worship due to situations other than pandemics, eg. warfare, geography, disability), and that virtual communion is theologically sound. But some are not so
Theology’s problematic interface on screen Read More »
This month I’ll be speaking at the University of Oxford’s seminar series ‘The Bible in Art, Music, and Literature’, with a talk entitled ‘Pick & Mix: the non-linear Bible as modern artists visualise it’. I’ll be exploring a few artists discussed in my recent journal articles, but also introducing some thoughts on Francis Frith. Frith’s
A flurry of Frith photographs Read More »
It’s 2020. I wonder if we can start the year with clear vision. If those of us playing with the meaningfulness of images and words can anticipate the colour cast of the next decade or two. Or consider whether we are even facing the right way? Sometimes I feel the disjunction of offering thoughts on
Future forecasts for art and religion by A+C contributors Read More »
This year once again I’m delighted that one of my Advent images, Joseph’s Angel, is being used by Bishop Martin as a Christmas card for the Chichester Diocese. It was originally produced as part of several annual designs, which were initially for personal use, but subsequently became prompts for mini-research projects. Here I reproduce the
Christmas card reflection Read More »
2019 has been a year of article publications for me, the first fruits from completion of my PhD in 2017. In that labour of blood, sweat and tears, I considered four photographers as case-studies for new kinds of image/text relations between photography and the Bible. I’ve already introduced Revd Alexander Keith in a previous post,
Lenses on the Bible: recent article publications Read More »
On holiday in France this year, I am staying with my family in an old 3-storied house in the Loire. It is full of beams, right next door to a church. The village is quiet, the houses silent, the shop fronts closed. The summer air hangs over the place, people aren’t around. But the bells. The bells ring out
Sounds of a summer visual theology Read More »
The recently published report (Dec 2018) from the Arts Council, Livelihoods of Visual Artists: 2016 Data Report, found that 90% of visual artists in the UK don’t make enough money to live on. Across the 2,000 artists surveyed, the average income from art practice was £6,000. This is further skewed by a small number of
A Financial Picture of Self-employment Read More »
Visual Theology Conference Report19th-20th October 2018The Bishop’s Palace, Chichester; The Chapel of the Ascension, University of Chichester; in association with the Diocese of Chichester Our two-day conference explored ‘Transformative Looking Between the Visual Arts and Christian Doctrine (1850-Now)’. Together with Madeleine Emerald Thiele, we put on a programme of 17 papers from open submission, 2
Visual Theology I: Transformative Looking Between the Visual Arts and Christian Doctrine Read More »
